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DOUGLAS AAGARD


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October Rain

October Rain
Painting (H 48in x W 36in)
Fairview Fences

Fairview Fences
Painting (H 18in x W 30in)
Sundown

Sundown
Painting (H 18in x W 24in)

Cottonwood Arch

Cottonwood Arch
Painting (H 40in x W 30in)
Hill of Gold

Hill of Gold
Painting (H 40in x W 30in)
Benjamin Backroads

Benjamin Backroads
Painting (H 24in x W 36in)

Pioneer Home

Pioneer Home
Painting (H 24in x W 30in)
Sheep Creek Maple

Sheep Creek Maple
Painting (H 36in x W 24in)
Winter Bushes and Stream

Winter Bushes and Stream
Painting (H 11in x W 14in)

Golden Autumn

Golden Autumn
Painting (H 36in x W 24in)
Poplar Glory

Poplar Glory
Painting (H 30in x W 24in)
Cluster of Maples

Cluster of Maples
Painting (H 24in x W 16in)

Hazy Afternoon

Hazy Afternoon
Painting (H 24in x W 30in)
Spring in the High Pasture

Spring in the High Pasture
Painting (H 14in x W 26in)
Evening Over Sagebrush

Evening Over Sagebrush
Painting (H 18in x W 30in)

Ombre Study II

Ombre Study II
Painting (H 24in x W 12in)
Solitary Tree II

Solitary Tree II
Painting (H 24in x W 12in)
Road Along the Foothills

Road Along the Foothills
Painting (H 18in x W 24in)

Tower Mountain

Tower Mountain
Painting (H 24in x W 30in)
The Quiet After Sundown

The Quiet After Sundown
Painting (H 24in x W 36in)
Riding the Arizona Strip

Riding the Arizona Strip
Painting (H 18in x W 30in)

Red Filter

Red Filter
Painting (H 20in x W 40in)
Boundary

Boundary
Painting (H 22in x W 12in)
Autumn Reds

Autumn Reds
Painting (H 11in x W 23in)

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Artist Biography

Douglas Aagard is a Utah landscape painter known for his use of color, texture and light. His subject matter is as varied as the Utah landscape itself. He lives in central Utah in a rural community with his wife and three children.

 

Aagard began his career as a watercolor artist. In 2000, after seeing a show of paintings by Gary Ernest Smith he was hooked on the power possible with oil paints. With encouragement and feedback from Smith, he set his hand to paint oils with a knife. “I never get bored painting with oil. There are so many possibilities; so many techniques to try that one could never exhaust the love of learning. I have found that my work has a more dimensional feel or depth when painted with knife, and often times the texture is more fun than the composition.”

 

His paintings have won several state and local awards and are part of many museum, public, private and corporate collections.




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